Photography Settings Cheat Sheet - Once the light has passed through the aperture of the lens, it reaches the shutter. Now you need to decide how much of that light you’re going to allow into the camera. An even smaller fraction (for example 1/4000) for sports photography. A very small fraction of a second (for example 1/250) will prevent motion blue.
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An even smaller fraction (for example 1/4000) for sports photography. Now you need to decide how much of that light you’re going to allow into the camera. Once the light has passed through the aperture of the lens, it reaches the shutter. A very small fraction of a second (for example 1/250) will prevent motion blue.
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A very small fraction of a second (for example 1/250) will prevent motion blue. Once the light has passed through the aperture of the lens, it reaches the shutter. An even smaller fraction (for example 1/4000) for sports photography. Now you need to decide how much of that light you’re going to allow into the camera.
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Once the light has passed through the aperture of the lens, it reaches the shutter. Now you need to decide how much of that light you’re going to allow into the camera. An even smaller fraction (for example 1/4000) for sports photography. A very small fraction of a second (for example 1/250) will prevent motion blue.
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A very small fraction of a second (for example 1/250) will prevent motion blue. Once the light has passed through the aperture of the lens, it reaches the shutter. Now you need to decide how much of that light you’re going to allow into the camera. An even smaller fraction (for example 1/4000) for sports photography.
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Once the light has passed through the aperture of the lens, it reaches the shutter. A very small fraction of a second (for example 1/250) will prevent motion blue. An even smaller fraction (for example 1/4000) for sports photography. Now you need to decide how much of that light you’re going to allow into the camera.
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An even smaller fraction (for example 1/4000) for sports photography. A very small fraction of a second (for example 1/250) will prevent motion blue. Now you need to decide how much of that light you’re going to allow into the camera. Once the light has passed through the aperture of the lens, it reaches the shutter.
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Now you need to decide how much of that light you’re going to allow into the camera. A very small fraction of a second (for example 1/250) will prevent motion blue. Once the light has passed through the aperture of the lens, it reaches the shutter. An even smaller fraction (for example 1/4000) for sports photography.
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Once the light has passed through the aperture of the lens, it reaches the shutter. Now you need to decide how much of that light you’re going to allow into the camera. An even smaller fraction (for example 1/4000) for sports photography. A very small fraction of a second (for example 1/250) will prevent motion blue.
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Now you need to decide how much of that light you’re going to allow into the camera. Once the light has passed through the aperture of the lens, it reaches the shutter. A very small fraction of a second (for example 1/250) will prevent motion blue. An even smaller fraction (for example 1/4000) for sports photography.
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A very small fraction of a second (for example 1/250) will prevent motion blue. An even smaller fraction (for example 1/4000) for sports photography. Once the light has passed through the aperture of the lens, it reaches the shutter. Now you need to decide how much of that light you’re going to allow into the camera.
A very small fraction of a second (for example 1/250) will prevent motion blue. An even smaller fraction (for example 1/4000) for sports photography. Once the light has passed through the aperture of the lens, it reaches the shutter. Now you need to decide how much of that light you’re going to allow into the camera.